https://clarelewis.org/production/if-the-walls-could-talk/2019-10-31T13:29:04+00:00weekly0.6https://clarelewis.org/production/there-goes-our-neighbourhood/https://clarelewis.org/wp-content/uploads/2019/10/lr_theregoesourneighbourhood_filmstill5_welivehere2017.waterloo_photo.tomwholohan.jpg*LR_ThereGoesOurNeighbourhood_FilmStill5_WeLiveHere2017.Waterloo_Photo.TomWholohan2019-10-31T13:27:39+00:00weekly0.6https://clarelewis.org/production/https://clarelewis.org/wp-content/uploads/2010/12/buchel01.jpgChristoph Buchel, No Future, 2008 Biennale of Sydney2019-10-31T13:16:38+00:00weekly0.6https://clarelewis.org/communication/detective-special/2016-01-20T01:20:31+00:00weekly0.6https://clarelewis.org/communication/https://clarelewis.org/wp-content/uploads/2010/12/0241.jpgGail Hastings, Behind you: red, 20102016-01-19T00:36:47+00:00weekly0.6https://clarelewis.org/production/hawkes-and-doves/https://clarelewis.org/wp-content/uploads/2011/02/17-hawkes-and-doves.jpgNigel Milsom, Hawkes And Doves 2007, courtesy the artist and Terminus Projects2016-01-19T00:34:58+00:00weekly0.6https://clarelewis.org/concept/https://clarelewis.org/wp-content/uploads/2010/12/023-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie NorthTim Silver and Jonathan Jones: Echo 2014. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/img_4989.jpgBad Angle, installation view, Stills Gallery 2011https://clarelewis.org/wp-content/uploads/2010/12/badangle.jpgBad Angle, installation view, Stills Gallery 2011https://clarelewis.org/wp-content/uploads/2010/12/translations_701.jpgYuca Ishizuca, Missing Links, Terminus Projects, Translations 20072016-01-19T00:23:30+00:00weekly0.6https://clarelewis.org/contact/https://clarelewis.org/wp-content/uploads/2011/02/clarelewis-org.jpgClareLewis.orghttps://clarelewis.org/wp-content/uploads/2011/02/clarelewis.jpgClare Sibrina Lewis, Australian Museum, John Baldessari's Your Name in Lights project, Sydney Festival 20112015-12-17T11:40:25+00:00weekly0.6https://clarelewis.org/production/the-question/https://clarelewis.org/wp-content/uploads/2015/12/ayla-e1545002728986.jpg#WeLiveHere20172015-12-10T04:46:43+00:00weekly0.6https://clarelewis.org/communication/barry-lewis/2015-12-08T11:44:44+00:00weekly0.6https://clarelewis.org/communication/bad-angle/2015-12-08T11:43:25+00:00weekly0.6https://clarelewis.org/production/hilltop-hoods-music-video/https://clarelewis.org/wp-content/uploads/2012/04/hth.pngHilltop Hoods, I Love It, feat. Sia, production still2015-12-08T11:41:58+00:00weekly0.6https://clarelewis.org/production/making-australia-happy-couples/https://clarelewis.org/wp-content/uploads/2012/04/a5-investor-posters4.jpgMaking Couples Happy, ABC2015-12-08T11:37:31+00:00weekly0.6https://clarelewis.org/production/mca/https://clarelewis.org/wp-content/uploads/2010/12/mca2.jpgMCA Sydney. Photo: Daniel Boud2015-12-08T11:31:31+00:00weekly0.6https://clarelewis.org/2015/11/25/clare-lewis/2015-12-08T10:34:43+00:00monthlyhttps://clarelewis.org/communication/adam-norton/https://clarelewis.org/wp-content/uploads/2010/12/adam.jpgAdam Norton, Generic Escape Capsule - Periscope 2005. Courtesy the artist2015-12-07T13:32:11+00:00weekly0.6https://clarelewis.org/concept/to-make-a-work-of-timeless-art/https://clarelewis.org/wp-content/uploads/2011/02/to_make_a_work_of_timeless_14.jpgTo_Make_a_Work_of_Timeless_14https://clarelewis.org/wp-content/uploads/2011/02/gailhastings_tmawta.jpgGail Hastings, To make a work of timeless art, 1996 courtesy the artist and MCA, photo: Jenni Carter2015-12-07T13:28:28+00:00weekly0.6https://clarelewis.org/concept/bad-angle/https://clarelewis.org/wp-content/uploads/2011/06/milledge_purifying_dance.jpgMilledge_Purifying_DanceClare Milledge, Purifying Dance 2011, Lambda printhttps://clarelewis.org/wp-content/uploads/2011/06/milledge_immortal_technique_of_ecstasy.jpgMilledge_Immortal_Technique_of_EcstasyClare Milledge, Immortal Technique of Ecstasy 2011, Lambda printhttps://clarelewis.org/wp-content/uploads/2011/06/rafferty_violent_light_3b1.jpgRAFFERTY_Violent_Light_3(B)Sean Rafferty, Violent Light 2011, mixed mediahttps://clarelewis.org/wp-content/uploads/2011/06/rafferty_violent_light_11.jpgRAFFERTY_Violent_Light_1Sean Rafferty, Violent Light 2011, video stillhttps://clarelewis.org/wp-content/uploads/2011/06/north_strata_plum.jpgJamie North, Strata (Illawarra Plum) 2011, lightjet printhttps://clarelewis.org/wp-content/uploads/2011/06/north_strata_magenta.jpgNorth_STRATA_MAGENTAJamie North, Strata (Magenta Lilly Pilly) 2011, Lambda print https://clarelewis.org/wp-content/uploads/2011/06/cauchi-nature-morte-2009.jpgBen Cauchi, Nature morte 2009, wet-collodion on acrylic, courtesy the artist and Darren Knight GalleryBen Cauchi, Nature morte 2009, wet-collodion, acrylic, Darren Knight Galleryhttps://clarelewis.org/wp-content/uploads/2011/06/hfranco_your_door_still2.jpghfranco_your_door_still2https://clarelewis.org/wp-content/uploads/2011/06/hfranco_your_door_still1.jpgHeath Franco, Your Door 2011, video still courtesy the artist and Tristian KoenigHeath Franco, Your Door 2011, video still, Tristian Koenig, Melbournehttps://clarelewis.org/wp-content/uploads/2011/06/milledge_lastvisibledog8.jpgmilledge_lastvisibledog82015-12-07T13:17:52+00:00weekly0.6https://clarelewis.org/production/no-future/2015-12-07T13:15:06+00:00weekly0.6https://clarelewis.org/concept/echo/https://clarelewis.org/wp-content/uploads/2014/05/003-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/025-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/019-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/001-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/008-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/002-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/004-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/010-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2014/05/007-echo2014_clarelewis.jpgTim Silver and Jonathan Jones: Echo 2014. . Photo: Jamie North2015-12-07T13:08:54+00:00weekly0.6https://clarelewis.org/concept/firstdraft/https://clarelewis.org/wp-content/uploads/2010/12/johnvonperf1.jpgJohn von Sturmer and Slawek Janicki performing in Taint. Photo: Clare Lewishttps://clarelewis.org/wp-content/uploads/2010/12/044.jpgTaint, installation view, FirstDraft Gallery. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/040.jpgTaint, installation view, FirstDraft Gallery. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/035.jpgTaint, installation view, FirstDraft Gallery. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/031.jpgTaint, installation view, FirstDraft Gallery. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/024.jpgGail Hastings, behind you: red, 2010. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/020.jpgTaint, installation view, FirstDraft Gallery. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/016.jpgPeter Adsett, Valvoline 10W 30, 2010. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/014.jpgPeter Adsett, Valvoline 10W 30, 2010. Photo: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/011.jpgTaint, installation view, FirstDraft Gallery. Photo: Jamie North2015-12-07T13:07:07+00:00weekly0.6https://clarelewis.org/production/when-the-private-became-public/https://clarelewis.org/wp-content/uploads/2011/02/when-the-private-became-public_41.jpgAnawana Haloba, When the private became public, Sydney Biennale 2008https://clarelewis.org/wp-content/uploads/2011/02/haloba1.jpgAnawana Haloba, When the private became public, Sydney Biennale 2008https://clarelewis.org/wp-content/uploads/2011/02/haloba.jpgAnawana Haloba, When the private became public, Sydney Biennale 2008https://clarelewis.org/wp-content/uploads/2011/02/when-the-private-became-public_4.jpgAnawana Haloba, When the private became public 2008, courtesy the artist2015-12-07T13:01:44+00:00weekly0.6https://clarelewis.org/concept/terminus/https://clarelewis.org/wp-content/uploads/2010/12/dscf0509-e1294112415420.jpgAndrew McQualter, study for composition, 2007. Courtesy Terminus Projectshttps://clarelewis.org/wp-content/uploads/2010/12/img_3913.jpgJay Ryves, Sky Village brochure, 2006. Courtesy Terminus Projectshttps://clarelewis.org/wp-content/uploads/2010/12/img_3912.jpgJay Ryves, Sky Village 2006. Courtesy Terminus Projectshttps://clarelewis.org/wp-content/uploads/2010/12/041-james.jpgJames Lynch, The Party's Over 2006. Courtesy Terminus Projectshttps://clarelewis.org/wp-content/uploads/2010/12/008-james.jpgJames Lynch, The Party's Over 2006. Courtesy Terminus Projectshttps://clarelewis.org/wp-content/uploads/2010/12/thepartysover7.jpgJames Lynch, The Party's Over (video still) 2006. Courtesy Terminus ProjectsJames Lynch, The Party's Over, World Square, Terminus 2006 ph: Jamie Northhttps://clarelewis.org/wp-content/uploads/2010/12/thepartysover6.jpgJames Lynch, The Party's Over (video still) 2006. Courtesy Terminus Projectshttps://clarelewis.org/wp-content/uploads/2010/12/translations_96.jpgNigel Milsom, Hawkes and Doves in Translations 2007. Courtesy Terminus Projects. Photo: Jenni Carterhttps://clarelewis.org/wp-content/uploads/2010/12/translations_86.jpgNigel Milsom, Hawkes and Doves in Translations 2007. Courtesy Terminus Projects. Photo: Jenni Carterhttps://clarelewis.org/wp-content/uploads/2010/12/translations_703.jpgYuca Ishizuca, Missing Links in Translations 2007. Courtesy Terminus Projects. Photo: Jenni CarterYuca Ishizuca, Missing Links, Translations 2007 ph: Jenni Carter2015-12-07T12:37:09+00:00weekly0.6https://clarelewis.org/concept/brainstorms-momentary-psychological-disturbances/https://clarelewis.org/wp-content/uploads/2011/01/wonderland-006-copy.jpgWonderland 006 copyEleanor Avery, Wonderland 2003 (contextual)https://clarelewis.org/wp-content/uploads/2011/01/thelineahead_twosigns_composite_zk-copy.jpgthelineahead_twosigns_composite_zk copyZina Kaye, The Line Ahead 2004 (detail) in Brainstormshttps://clarelewis.org/wp-content/uploads/2011/01/ssmith_bigsmallworld_5.jpgSSmith_BigSmallWorld_5https://clarelewis.org/wp-content/uploads/2011/01/ssmith_bigsmallworld_4.jpgSSmith_BigSmallWorld_4Sam Smith, Big Small World (video still) 2005 in Brainstormshttps://clarelewis.org/wp-content/uploads/2011/01/sphere.jpgSPHEREhttps://clarelewis.org/wp-content/uploads/2011/01/radiation-suit-ii.jpgOLYMPUS DIGITAL CAMERAAdam Norton, Radiation Suit 2005 in Brainstormshttps://clarelewis.org/wp-content/uploads/2011/01/ouroboros.jpgouroborosLéa Donnan, Ouroboros 2005, So Very Near Dear 2004 in Brainstormshttps://clarelewis.org/wp-content/uploads/2011/01/imaginary-structure-1916-as-edith-mayfield.jpgImaginary Structure, 1916 (as Edith Mayfield)Chris Bond, Imaginary Structure 1916 (as Edith Mayfield) 2003 in Brainstormshttps://clarelewis.org/wp-content/uploads/2011/01/gatecrash-model-copy.jpgGatecrash (model) copyEleanor Avery, Gatecrash maquette 2004 (contextual)https://clarelewis.org/wp-content/uploads/2011/01/dsc04152.jpgDSC04152Chris Bond, Anatomy of Failure 2005 in Brainstorms2015-12-07T12:36:19+00:00weekly0.6https://clarelewis.org/2015/11/20/760/2015-11-19T15:47:22+00:00monthlyhttps://clarelewis.org/concept/westpac-video-project-little-rituals/https://clarelewis.org/wp-content/uploads/2011/01/img_3646.jpgJustene Williams in Little Rituals, Westpac HQ, SydneyJustene Williams in Little Rituals, Westpac HQ, Sydneyhttps://clarelewis.org/wp-content/uploads/2011/01/img_3640.jpgJustene Williams in Little Rituals, Westpac HQ, Sydneyhttps://clarelewis.org/wp-content/uploads/2011/01/img_3622.jpgDanielle Coonan in Little Rituals, Westpac HQ, SydneyDanielle Coonan in Little Rituals, Westpac HQ, Sydneyhttps://clarelewis.org/wp-content/uploads/2011/01/img_3620.jpgEmma White in Little Rituals, Westpac HQ, SydneyEmma White in Little Rituals, Westpac HQ, Sydneyhttps://clarelewis.org/wp-content/uploads/2011/01/img_3618.jpgEmma White in Little Rituals, Westpac HQ, Sydneyhttps://clarelewis.org/wp-content/uploads/2011/01/img_3615.jpgEmma White in Little Rituals, Westpac HQ, Sydney2014-05-22T13:21:42+00:00weekly0.6https://clarelewis.org/communication/jess-macneil/https://clarelewis.org/wp-content/uploads/2011/01/img_3922.jpgJess MacNeil, Gallery Barry Keldoulis, Sydney2011-07-15T16:00:04+00:00weekly0.6https://clarelewis.org/communication/alex-kershaw/https://clarelewis.org/wp-content/uploads/2010/12/kershaw.jpgAlex Kershaw, I want the baby but I don't want you 2005, courtesy GRANTPIRRIE2011-07-15T15:59:16+00:00weekly0.6https://clarelewis.org/communication/debra-dawes/https://clarelewis.org/wp-content/uploads/2011/01/debradawes.jpgDebra Dawes, Double Dealing, Museum of Contemporary Art, Sydney 20072011-07-15T15:58:47+00:00weekly0.6https://clarelewis.org/communication/jamie-north/https://clarelewis.org/wp-content/uploads/2011/01/img_3920.jpgJamie North, Black Box, MOP Projects 20072011-07-15T15:58:10+00:00weekly0.6https://clarelewis.org/communication/vanila-netto/https://clarelewis.org/wp-content/uploads/2011/01/vn_hogshead5sm.jpgVanila Netto, Hogshead # 5 2007/08, courtesy the artist and BREENSPACE, Sydney2011-07-15T15:57:36+00:00weekly0.6https://clarelewis.org/communication/ben-quilty/https://clarelewis.org/wp-content/uploads/2010/12/img_3887.jpgBen Quilty Live, University of Queensland, 20092011-07-15T15:54:20+00:00weekly0.6https://clarelewis.org/2011/02/11/little-rituals-artist-texts/2011-02-11T00:27:05+00:00monthlyhttps://clarelewis.org/communication/brainstorms/https://clarelewis.org/wp-content/uploads/2010/12/img_3898.jpgBrainstorms: momentary psychological disturbances, GRANTPIRRIE 20052011-02-07T11:23:27+00:00weekly0.6https://clarelewis.org/communication/caroline-rothwell/https://clarelewis.org/wp-content/uploads/2010/12/rothwell.jpgCaroline Rothwell, installation view, New Worlds, GRANTPIRRIE, 20052011-02-07T09:40:31+00:00weekly0.6https://clarelewis.org/communication/lionel-bawden/https://clarelewis.org/wp-content/uploads/2010/12/lionelbawden_themonsters.jpgLionel Bawden, The Monsters (the secret of matter) 2004, GRANTPIRRIE2011-02-07T09:37:22+00:00weekly0.6https://clarelewis.org/communication/eleanor-avery-and-james-avery/https://clarelewis.org/wp-content/uploads/2010/12/img_3900.jpg'Our Day Out' Eleanor Avery and James Avery, Spike Island, UK and Artspace, Sydney, 20052011-02-07T09:29:35+00:00weekly0.6https://clarelewis.org/communication/maria-fernando-cardoso/https://clarelewis.org/wp-content/uploads/2010/12/img_3923.jpgMaria Fernanda Cardoso, GRANTPIRRIE, 20042011-01-20T04:15:09+00:00weekly0.6https://clarelewis.org/communication/matthew-hunt/https://clarelewis.org/wp-content/uploads/2010/12/img_3907.jpg'Matthew Hunt' in Making it New: Focus on contemporary Australian art, MCA 20092011-01-20T03:49:04+00:00weekly0.6https://clarelewis.org/communication/to-make-a-work-of-timeless-art/https://clarelewis.org/wp-content/uploads/2010/12/img_3916.jpgTo make a work of timeless art: MCA Primavera Aquisitions, curated by Clare Lewis and Isabel Finch2011-01-20T03:47:38+00:00weekly0.6https://clarelewis.orgdaily1.02019-10-31T13:29:04+00:00